rhoadley.net music research courses software blogs
ambience copenhagen concertino four archetypes hello histrionica in principio miscellaneous only connect petrochemicals three pieces for two pianos through the sharp hawthorn
telephony many worlds 127 haiku 128 haiku triggered
devices: gaggle gagglina wired
NB All material on this site is © Richard Hoadley (and others), 1990-2010
(2009-present) Devices and Units Hardware and software interfaces for music performance, in development. (2010) Triggered Sculptural custom hardware and software interfaces and automatic composition for performers and dancers. With Tom Hall, Jane Turner, Cheryl Frances-Hoad. - Performance for CoDE New Materialism Conference, Anglia Ruskin University, Monday 21st June 2010. - Performance for Correspondence, a weekend of Creative Practice, London Metropolitan University, Saturday 26th June 2010. (2010) One Hundred and Twenty-Eight Haiku Automatic performance/composition with custom hardware and software. Part of Frame-breaking including original work in collaboration with Katharine Norman, Sam Hayden, Katy Price, Tom Hall, Kettles Yard, Cambridge, 9th May 2010. (2010) MIST (Museums, Interfaces, Spaces, Techologies) Invited performance using custom built hardware and software, AHRC Workshop, 22nd-23rd March 2010. (2009) Gaggle: Hardware and Software Interface and Composition Hardware, software, composition and performance commissioned by British Computer Society HCI conference 2009, Cambridge http://www.bcs-hci.org.uk/, September. In collaboration with Tom Hall, Cheryl Francis-Hoad and Jane Turner and dancers (2009) One Hundred and Twenty-Seven Haiku Automatic performance/composition with custom software Event in collaboration with Katharine Norman and Katy Price Kettles Yard, Cambridge, May 2009 (2008) Many Worlds Semi-automatic music (SuperCollider) A component part of Silent Histories: soundscapes and compositions on the themes of stillness, technology and place. Music and performances by Kerstin Bueschges, Kevin Flanagan, Richard Hoadley and Paul Rhys. Kettles Yard, Cambridge, May 2008 (2007) Telephony MaxMSP and Telephones, concert version approx. 9:29. Commissioned for Kettle's Yard New Music, Kettle's Yard 2007 (2006) Histrionica A melodrama for 'cello and gamelan instruments; 6:26. First performed at Kettle's Yard, Cambridge in March 2006 by Anton Lukoszevieze and members of the Cambridge Gamelan Society. (2004) Hello semi-automatic live performance music for computer, 6:22. Commissioned for Kettle's Yard New Music, February 2004 (2002) Ambience semi-automatic live performance music for computers and synthesisers (pSY). Commissioned for Cambridge New Music Group, April 2002 (1999) The Copenhagen Interpretation automatic live performance music for computers and synthesisers (pSY), 16:30. Commissioned for Cambridge Digital Arts Festival, June 1999. (1998) The Continual Snowfall of Petrochemicals automatic live performance music for computers and synthesisers (pSY). Commissioned for Cambridge Digital Arts Festival, June 1998. (1994) Four Archetypes for large orchestra, 16:00. Commissioned by the Cambridge-Heidelberg-Montpelier Orchestra with funds provided by Eastern Arts, 1994. (1992) Three Pieces for Two Pianos for two pianos, 36:00. Commissioned by Philip Mead and Steve Guttman, pianos, 1992 (1989, rev. 1991) Shilbottle Cobbles for wind orchestra, 17:00, recording Commissioned by the Charterhouse Wind Orchestra. (1989, rev. 1990) In Principio for choir and organ or choir and brass quintet, 12:30. Commissioned by the Charterhouse Choir. (1988) Concertino for violin, clarinet, 'cello, piano, 12:00. Written for the Huddersfield Contemporary Music Festival. (1988) Only Connect for orchestra, 17:00. Written for the Durham University Orchestra, performed on Radio Three 'Music in our Time' by the BBC Symphony Orchestra conducted by Robert Zeigler. (1987) String Sextet (Still Life) Written for the Huddersfield Contemporary Music Festival, 16:10. (1987) Scena for Tenor Voice and Chamber Ensemble, 16:00. (1987) Through the Sharp Hawthorn (Blows the Cold Wind) for flute and piano, 20:26. (1979-2001) Miscellaneous Pieces More music... more software...
| title/more information | resources | duration | date | revised | midi | sibelius 'scorch' |
audio |
| Devices | hardware interface for music performance | 2009 | 2010 | ✓ | |||
| One Hundred and Twenty-Eight Haiku | automatic music for hardware interfaces and computers | 12:00 | 2010 | ||||
| Triggered | hardware interface systems for music performance | 2010 | ✓ | ||||
| Gaggle | hardware interface for music performance | 2009 | ✓ | ||||
| One Hundred and Twenty-Seven Haiku | automatic music for computer | 11:45 | 2009 | ✓ | |||
| Many Worlds | semi-automatic music (SuperCollider) | 10:00 | 2008 | ✓ | |||
| Telephony | MaxMSP and telephone(s) | ~10:00 | 2007 | ✓ | |||
| Click | semi-automatic live performance music for computer | 2006 | |||||
| Histrionica | a melodrama for 'cello and gamelan instruments | 6:20 | 2006 | ✓ | ✓ | ✓ | |
| Hello | semi-automatic live performance music for computer | ~6:22 | 2004 | ✓ | |||
| Ambience | pSY (computers/SY synths) | 7:52 | 2002 | ✓ | |||
| The Copenhagen Interpretation | computers and synthesisers | 16:30 | 1999 | ✓ | |||
| A Continual Snowfall of Petrochemicals | computers and synthesisers | n/a | 1998 | ✓ | |||
| Four Archetypes | large orchestra | 16:00 | 1994 | ✓ | ✓ | ||
| Three Pieces for Two Pianos | two pianos, four hands | 35:45 | 1992 | ✓ | ✓ | ||
| Shilbottle Cobbles | wind orchestra | 16:00 | 1989 | 1991 | ✓ | ||
| Concertino | violin, clarinet, 'cello, piano | 12:00 | 1988 | - | ✓ | ||
| In Principio | choir & organ or brass quintet | 12:36 | 1988 | 1989 | ✓ | ||
| Only Connect | orchestra | 17:00 | 1987 | 1992 | ✓ | ||
| Sextet (Still Life) | string sextet | 16:00 | 1986-7 | ✓ | |||
| Through the Sharp Hawthorn | flute and piano | 21:00 | 1986 | 1990 | ✓ | ✓ | |
| Music For Good Friday | piano | 8:07 | 1981 | - | ✓ | ||
| Five Pieces for Violin and Viola | violin and viola | 10:00 | 1979 | 1982, 1988 | ✓ | ||
| Miscellaneous Pieces | various | - | - | - |