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NB All material on this site is © Richard Hoadley (and others), 1990-2010



Compositions, Performances, Workshops, Software, Hardware

See also software...


(2009-present) Devices and Units
Hardware and software interfaces for music performance, in development.

(2010) Triggered
Sculptural custom hardware and software interfaces and automatic composition for performers and dancers.
With Tom Hall, Jane Turner, Cheryl Frances-Hoad.
- Performance for CoDE New Materialism Conference, Anglia Ruskin University,
Monday 21st June 2010.
- Performance for Correspondence, a weekend of Creative Practice, London Metropolitan University,
Saturday 26th June 2010.

(2010) One Hundred and Twenty-Eight Haiku
Automatic performance/composition with custom hardware and software.  
Part of Frame-breaking including original work in collaboration 
with Katharine Norman, Sam Hayden, Katy Price, Tom Hall, Kettles Yard, 
Cambridge, 9th May 2010.

(2010) MIST (Museums, Interfaces, Spaces, Techologies)
Invited performance using custom built hardware and software, AHRC Workshop, 22nd-23rd March 2010.

(2009) Gaggle: Hardware and Software Interface and Composition
Hardware, software, composition and performance commissioned by 
British Computer Society HCI conference 2009, Cambridge
http://www.bcs-hci.org.uk/, September.
In collaboration with Tom Hall, Cheryl Francis-Hoad and Jane Turner and dancers

(2009) One Hundred and Twenty-Seven Haiku
Automatic performance/composition with custom software
Event in collaboration with Katharine Norman and Katy Price
Kettles Yard, Cambridge, May 2009

(2008) Many Worlds
Semi-automatic music (SuperCollider)
A component part of Silent Histories: soundscapes and compositions on the themes of stillness, technology and place. 
Music and performances by Kerstin Bueschges, Kevin Flanagan, Richard Hoadley and Paul Rhys. 
Kettles Yard, Cambridge, May 2008

(2007) Telephony
MaxMSP and Telephones, concert version approx. 9:29.
Commissioned for Kettle's Yard New Music, Kettle's Yard 2007

(2006) Histrionica
A melodrama for 'cello and gamelan instruments; 6:26.
First performed at Kettle's Yard, Cambridge in March 2006 by Anton Lukoszevieze 
and members of the Cambridge Gamelan Society.

(2004) Hello
semi-automatic live performance music for computer, 6:22.
Commissioned for Kettle's Yard New Music, February 2004

(2002) Ambience
semi-automatic live performance music for computers and synthesisers (pSY).
Commissioned for Cambridge New Music Group, April 2002

(1999) The Copenhagen Interpretation
automatic live performance music for computers and synthesisers (pSY), 16:30.
Commissioned for Cambridge Digital Arts Festival, June 1999.

(1998) The Continual Snowfall of Petrochemicals
automatic live performance music for computers and synthesisers (pSY).
Commissioned for Cambridge Digital Arts Festival, June 1998.

(1994) Four Archetypes
for large orchestra, 16:00.
Commissioned by the Cambridge-Heidelberg-Montpelier Orchestra with funds provided by Eastern Arts, 1994.

(1992) Three Pieces for Two Pianos
for two pianos, 36:00.
Commissioned by Philip Mead and Steve Guttman, pianos, 1992

(1989, rev. 1991) Shilbottle Cobbles
for wind orchestra, 17:00, recording
Commissioned by the Charterhouse Wind Orchestra.

(1989, rev. 1990) In Principio
for choir and organ or choir and brass quintet, 12:30.
Commissioned by the Charterhouse Choir.

(1988) Concertino
for violin, clarinet, 'cello, piano, 12:00.
Written for the Huddersfield Contemporary Music Festival.

(1988) Only Connect
for orchestra, 17:00.
Written for the Durham University Orchestra, 
performed on Radio Three 'Music in our Time' by the BBC Symphony Orchestra 
conducted by Robert Zeigler.

(1987) String Sextet (Still Life)
Written for the Huddersfield Contemporary Music Festival, 16:10.

(1987) Scena
for Tenor Voice and Chamber Ensemble, 16:00.

(1987) Through the Sharp Hawthorn (Blows the Cold Wind)
for flute and piano, 20:26.

(1979-2001) Miscellaneous Pieces


More music... more software...

















title/more information resources duration date revised midi sibelius
'scorch'
audio
Devices hardware interface for music performance   2009 2010    
One Hundred and Twenty-Eight Haiku automatic music for hardware interfaces and computers 12:00 2010        
Triggered hardware interface systems for music performance   2010      
Gaggle hardware interface for music performance   2009      
One Hundred and Twenty-Seven Haiku automatic music for computer 11:45 2009      
Many Worlds semi-automatic music (SuperCollider) 10:00 2008      
Telephony MaxMSP and telephone(s) ~10:00 2007      
Click semi-automatic live performance music for computer   2006        
Histrionica a melodrama for 'cello and gamelan instruments 6:20 2006  
Hello semi-automatic live performance music for computer ~6:22 2004      
Ambience pSY (computers/SY synths) 7:52 2002      
The Copenhagen Interpretation computers and synthesisers 16:30 1999      
A Continual Snowfall of Petrochemicals computers and synthesisers n/a 1998      
Four Archetypes large orchestra 16:00 1994    
Three Pieces for Two Pianos two pianos, four hands 35:45 1992    
Shilbottle Cobbles wind orchestra 16:00 1989 1991    
Concertino violin, clarinet, 'cello, piano 12:00 1988 - available  
In Principio choir & organ or brass quintet 12:36 1988 1989    
Only Connect orchestra 17:00 1987 1992    
Sextet (Still Life) string sextet 16:00 1986-7      
Through the Sharp Hawthorn flute and piano 21:00 1986 1990 available
Music For Good Friday piano 8:07 1981 - available  
Five Pieces for Violin and Viola violin and viola 10:00 1979 1982, 1988 available  
Miscellaneous Pieces various - - -      

Last modified: August 15 2010 14:37:22.