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Seminar List • Abstract • Preparation • Main Text
The frame seems to be an almost inevitable feature of human experience. Whatever we do, we tend to frame it in one way or another - actions that seem perfectly natural in one setting are hideously inappropriate in another - each situation can be seen as a frame giving a context to an action. In order to appreciate theatrical plays or opera properly, you have to employ what has been called the suspension of disbelief - you know what you're seeing isn't real, isn't real life, but that doesn't stop you experiencing the play imaginatively as if it was. This is often how frames operate.
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Consider.
Prepare.
Main text (not usually available until after the lecture).