2018-present
automatic music for choir, material objects,
electronics and live score projection
music and programming by Richard Hoadley
text by Bishop George Berkeley
2016
automatic music for dancers, musicians,
computer and live score projection
music and programming by Richard Hoadley;
text by Phil Terry;
choreography by Jane Turner
2011
automatic music for violin and computer
1988-1991
wind orchestra
Listening to Lulu, in our hearth we burn, as we hear the high Cs rise in stereo, what was lush swamp club-moss and tree-fern at least 300 million years ago. Shilbottle cobbles, Alban Berg high D lifted from a source that bears your name, the one we hear decay, the one we see, the fern from the foetid forest, as brief flame.
Tony Harrison, v
2018
automatic music for choir, material objects,
electronics and live score projection
music and programming by Richard Hoadley
text by Bishop George Berkeley
1994
for large orchestra
commissioned by the Cambridge-Heidelberg-Montpelier Orchestra
with funds provided by Eastern Arts
2018-present
automatic music for choir, material objects,
electronics and live score projection
music and programming by Richard Hoadley
text by Bishop George Berkeley
2016
automatic music for dancers, musicians, computer and live score projection
music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner
a continual snowfall of petrochemicals
1998-9
automatic music for computers and Yamaha SY synthesisers
This image of Jupiter’s southern hemisphere was taken by NASA’s Juno
spacecraft on October 24 at 2:11 p.m. EDT (11:11 a.m. PDT). At the time the image was
taken, Juno was 20,577 miles (33,115 km) from the tops of the clouds of the planet at
a latitude of minus 52.96 degrees. The color-enhanced view captures one of the white
ovals in the ‘String of Pearls,’ one of eight massive rotating storms at 40 degrees
south latitude on the gas giant.
Image credit: NASA / JPL-Caltech / SwRI / MSSS / Gerald Eichstaedt / Sean Doran.
2016
automatic music for dancers, musicians, sensing devices, hangings and computer
music and programming by Richard Hoadley; choreography by Jane Turner; hangings by
