unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

concertino

 

1988

 

for clarinet, violin, violoncello and piano

triggered

 

2016

 

automatic music for dancers, musicians, sensing devices, hangings and computer

music and programming by Richard Hoadley; choreography by Jane Turner; hangings by

The Ruskin Songbook 2018

2018

cover image taken from unthinking things 2018

fluxus

 

2012

 

automatic music for piano and computer

sextet (still life)

 

1987, rev. 1988

 

for string sextet: two violins, two violas, two violoncellos

the copenhagen interpretation

 

1999

 

automatic music for four computers and four synthesisers

five pieces in the alto clef

 

1982

 

for viola

choreograms

 

2016

 

automatic music for dancers, musicians,

computer and live score projection

music and programming by Richard Hoadley;

text by Phil Terry;

choreography by Jane Turner

fluxus

2012

automatic music for piano and computer

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

homanaje a cervantes

 

2017

 

automatic music for violin, computer and live projections

december variations

 

2014

 

automatic music for computer, piano and live score projection

music for twine

 

2018

 

a video by Chris Frazer Smith,

music by Richard Hoadley

 

In collaboration with Argentinian tango,

Twine is a contemporary choreography of intimacy for two exceptional dance artists.

in principio

 

1989

 

commissioned by charterhouse choir

 

versions for choir and organ and choir and brass group

runner-up in the lewis silkin choral music prize 1989

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

fluxus

2012

automatic music for piano and computer

 

photograph courtesy of julio d'escrivan

quantum canticorum

 

2013

 

automatic music for dancers, clarinet, computer and live score projection

choreograms

 

2016

 

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

semaphore

 

2014

 

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

four archetypes

 

1994

 

for large orchestra

 

commissioned by the Cambridge-Heidelberg-Montpelier Orchestra

with funds provided by Eastern Arts

how to play the piano: live notations in music (poster)

 

2016

 

ICMC Utrecht

full sized poster

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

unthinking things (stones)

 

2018

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

calder's violin

 

2011

 

automatic music for violin and computer

music index

how to play the piano

2015

automatic music for piano and computer

december mobile

 

2016-18

 

for string sextet: two violins, two violas, two violoncellos

unthinking things

 

2018-present, la, la, la

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

shilbottle cobbles

 

1988-1991

 

wind orchestra

 

 

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v