richard
hoadley
muzikë
the_copenhagen_interpretation

the copenhagen interpretation

 

1999

 

automatic music for four computers and four synthesisers

ruskin_songbook_cover_image_from_unthinking_things

The Ruskin Songbook 2018

2018

cover image taken from unthinking things 2018

unthinking_things

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

through_the_sharp_hawthorn

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

how_to_play_the_piano

how to play the piano

2015

automatic music for piano and computer

unthinking_things_poster

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

five_pieces_in_the_alto_clef

five pieces in the alto clef

 

1982

 

for viola

fluxus

fluxus

2012

automatic music for piano and computer

 

photograph courtesy of julio d'escrivan

homage_to_cervantes

homanaje a cervantes

 

2017

 

automatic music for violin, computer and live projections

quantum_canticorum

quantum canticorum

 

2013

 

automatic music for dancers, clarinet, computer and live score projection

concertino

concertino

 

1988

 

for clarinet, violin, violoncello and piano

through_the_sharp_hawthorn

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

calders_violin

calder's violin

 

2011

 

automatic music for violin and computer

unthinking_things

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

kings_place_triggered

sextet (still life)

 

1987, rev. 1988

 

for string sextet: two violins, two violas, two violoncellos

sada_music

music index

shilbottle_cobbles

shilbottle cobbles

 

1988-1991

 

wind orchestra

 

 

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v

semaphore

semaphore

 

2014

 

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner