richard
hoadley
m u s i c
hoadley_hall_and_brown_poster

fluxus

 

2012

 

automatic music for piano and computer

 

also

fluxus tree

 

2012-3

 

automatic music for sculpture, dancer(s), instrument ('cello) and computer

 

photo credit to julio d'escrivan

unthinking_things_stones

unthinking things (stones)

 

2018

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

hoadley_hall_and_brown_poster

fluxus

 

2012

 

automatic music for piano and computer

kings_place_triggered

triggered

 

2016

 

automatic music for dancers, musicians, sensing devices, hangings and computer

music and programming by Richard Hoadley; choreography by Jane Turner; hangings by

calders_violin

calder's violin

 

2011

 

automatic music for violin and computer

 

photograph Ingre's Violin by Man Ray, 1924

ruskin_songbook_cover_image_from_unthinking_things

The Ruskin Songbook 2018

2018

cover image taken from unthinking things 2018

unthinking_things

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

fluxus

fluxus

2012

automatic music for piano and computer

 

photograph courtesy of julio d'escrivan

the_copenhagen_interpretation

the copenhagen interpretation

 

1999

 

automatic music for four computers and four synthesisers

december_mobile

december mobile

 

2016-18

 

for string sextet: two violins, two violas, two violoncellos

edge_violations

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

homage_to_cervantes

homanaje a cervantes

 

2017

 

automatic music for violin, computer and live projections

shilbottle_cobbles

shilbottle cobbles

 

1988-1991

 

wind orchestra

 

 

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v

through_the_sharp_hawthorn

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

a

a continual snowfall of petrochemicals

 

1998-9

 

automatic music for computers and Yamaha SY synthesisers

 

This image of Jupiter’s southern hemisphere was taken by NASA’s Juno
spacecraft on October 24 at 2:11 p.m. EDT (11:11 a.m. PDT). At the time the image was
taken, Juno was 20,577 miles (33,115 km) from the tops of the clouds of the planet at
a latitude of minus 52.96 degrees. The color-enhanced view captures one of the white
ovals in the ‘String of Pearls,’ one of eight massive rotating storms at 40 degrees
south latitude on the gas giant.
Image credit: NASA / JPL-Caltech / SwRI / MSSS / Gerald Eichstaedt / Sean Doran.

choreograms

choreograms

 

2016

 

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

unthinking_things

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

unthinking_materials

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley