the copenhagen interpretation

 

1999

 

automatic music for four computers and four synthesisers

The Ruskin Songbook 2018

2018

cover image taken from unthinking things 2018

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

how to play the piano

2015

automatic music for piano and computer

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

five pieces in the alto clef

 

1982

 

for viola

fluxus

2012

automatic music for piano and computer

 

photograph courtesy of julio d'escrivan

homanaje a cervantes

 

2017

 

automatic music for violin, computer and live projections

quantum canticorum

 

2013

 

automatic music for dancers, clarinet, computer and live score projection

concertino

 

1988

 

for clarinet, violin, violoncello and piano

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

calder's violin

 

2011

 

automatic music for violin and computer

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

sextet (still life)

 

1987, rev. 1988

 

for string sextet: two violins, two violas, two violoncellos

music index

shilbottle cobbles

 

1988-1991

 

wind orchestra

 

 

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v

semaphore

 

2014

 

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner