
fluxus
2012
automatic music for piano and computer
photograph courtesy of julio d'escrivan

triggered
2016
automatic music for dancers, musicians, sensing devices, hangings and computer
music and programming by Richard Hoadley; choreography by Jane Turner; hangings by

quantum canticorum
2013
automatic music for dancers, clarinet, computer and live score projection

unthinking things
2018-present
automatic music for choir, material objects,
electronics and live score projection
music and programming by Richard Hoadley
text by Bishop George Berkeley

sextet (still life)
1987, rev. 1988
for string sextet: two violins, two violas, two violoncellos
shilbottle cobbles
1988-1991
wind orchestra
Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.
Tony Harrison, v

edge violations
2016
for clarinet(s), computers, and projections
texts by Phil Terry

fluxus
2012
automatic music for piano and computer

semaphore
2014
automatic music for dancers, musicians, computer and live score projection
music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

december mobile
2016-18
for string sextet: two violins, two violas, two violoncellos