richard
haodley
m u s i c
edge_violations

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

fluxus

fluxus

2012

automatic music for piano and computer

 

photograph courtesy of julio d'escrivan

december_mobile

december mobile

 

2016-18

 

for string sextet: two violins, two violas, two violoncellos

kings_place_triggered

triggered

 

2016

 

automatic music for dancers, musicians, sensing devices, hangings and computer

music and programming by Richard Hoadley; choreography by Jane Turner; hangings by

december_variations

december variations

 

2014

 

automatic music for computer, piano and live score projection

semaphore

semaphore

 

2014

 

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

fluxus

fluxus

2012

automatic music for piano and computer

edge_violations

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

hoadley_hall_and_brown_poster

choreograms

 

2016

 

automatic music for dancers, musicians,

computer and live score projection

music and programming by Richard Hoadley;

text by Phil Terry;

choreography by Jane Turner

hoadley_hall_and_brown_poster

fluxus

 

2012

 

automatic music for piano and computer

unthinking_things_poster

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

calders_violin

calder's violin

 

2011

 

automatic music for violin and computer

how_to_play_poster

how to play the piano: live notations in music (poster)

 

2016

 

ICMC Utrecht

full sized poster

unthinking_things

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

the_copenhagen_interpretation

the copenhagen interpretation

 

1999

 

automatic music for four computers and four synthesisers

through_the_sharp_hawthorn

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

four_archetypes

four archetypes

 

1994

 

for large orchestra

 

commissioned by the Cambridge-Heidelberg-Montpelier Orchestra

with funds provided by Eastern Arts

unthinking_materials

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley