richard hoadley gallery about music and performances research publications papers workshops edge violation choreograms how to play
the piano piano glyphs semaphore december variations quantum canticorum ways of making
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earlier eventsperformance: calder's flute - performance by ming wang of new version for flute and computer (calder's flute) sound and music computing conference (smc2016), hamburg, saturday september 3rd 2016paper: (2016) intersemiotic translations and live notations in dance, music, poetry and graphics music and visual cultures conference, maynooth university, ireland, 21st-23rd july 2016paper: (2016) live performance with live scores fourth performance studies network international conference, bath spa university, 14th july 2016live coding, live notation, live performance demonstration and performance of parts of edge violations music and programming - richard hoadley; clarinets: ian mitchell; electronic visualisation and the arts (eva), covent garden, london, 12-14 july 2016demonstration: notating movement musically third international symposium on movement and computing, thessaloniki, greece, 5th-6th july 2016conference: tenor 2016 - technologies for music notation and representation anglia ruskin university and cambridge university, cambridge uk, may 27th-29th 2016(2016) embodied intelligence in music - live presentation and performance of semaphore music and programming - richard hoadley; dance - jane turner; text - philip terry pace 1, de montfort university, monday 4th april 2016performance: (2016) choreograms/semaphore/selfies, a music-text-dance piece music and programming richard hoadley amongst others, dance jane turner, text phil terry early dance circle bienniel conference, friday 8th april 2016, st katharine's parmoor, nr. high wycombeperformance: (2016) choreograms/edge violations, a music/text/dance/projection anglia ruskin university, cambridge, saturday 23rd april 2016paper: (2016) musical virtuosity and live notation the liszt academy of music, budapest, 3-6 march 2016paper(2015) real-time generation and presentation of music, text and dance notations dmrn+10: digital music research network one-day workshop 2015 queen mary university of london, tuesday 22nd december 2015performance: hoadley, r. and norman, k. (2015) how to play the piano in 88 notes, a part of piano glyphs piano - philip mead, music and programming - richard hoadley, words - katharine norman intime conference, saturday 24th october 2015, coventry universityperformance: (2015) semaphore/selfies, a music-text-dance piece music and programming richard hoadley amongst others, dance jane turner, text phil terry, videography ian willcock cambridge festival of ideas, saturday october 2015, anglia ruskin university 3pm workshop, lab 028; 5:30pm performance, mumford theatreworkshop/performance: (2015) three screens a dance, music and text performance piece workshop and performance experiments including improvisation music and programming - richard hoadley; dance - jane turner; text - philip terry the boiler house, london metropolitan, thursday october 15th 2015performance: hoadley, r., turner, j., terry, p. (2014) semaphore performed by gwen jones and ann pidcock (dance); jimmy ottley ('cello); darius gray (clarinet) cardiff m.a.d.e., thursday 9th july 2015, 7:30pmperformance: hoadley, r. and norman, k. (2015) how to play the piano in 88 notes, a part of piano glyphs piano - philip mead, music and programming - richard hoadley, words - katharine norman performance in the music as process conference, saturday june 6th, goldsmiths, londonpublication/presentation: (2015) semaphore: cross-domain expressive mapping with live notation tenor first international conference on technology for music notation and representation, paris, france, may 28th-31stworkshop: inscore workshop with dominique fober (grame), 28th may 2015, centre clignancourt a part of the first international conference on technologies for music notation and representation 29-30 may 2015, university of paris-sorbonne/ircam, paris, franceperformance: hoadley, r. and norman, k. (2015) how to play the piano in 88 notes, a part of piano glyphs piano - philip mead, music and programming - richard hoadley, words - katharine norman performance at 2:15 recital hall, anglia ruskin university, 12th may 2015performance: hoadley, r. and norman, k. (2015) how to play the piano in 88 notes, a part of piano glyphs piano - philip mead, music and programming - richard hoadley, words - katharine norman lunchtime concert, 8th may 2015, university of hertfordshire, a part of the sonic herts festivalperformance: hoadley, r., turner, j., terry, p. (2014) semaphore performed by gwen jones and ann pidcock (dance); cheryl frances-hoad ('cello); ian mitchell (clarinet) drawing towards sound, tv studio, university of greenwich, friday 20th march 2015, 6pmperformance: hoadley, r. and katharine, n. (2015) how to play the piano in 88 notes, a part of piano glyphs piano - philip mead, music and programming - richard hoadley, words - katharine norman in a concert of music for piano and electronics, 7:30-8:30pm, 26th february 2015, pace 1, de montfort university, a part of the cultural exchanges festivalworkshop: collaborative cross-domain performance and real-time score generation: extreme sight-reading and beyond guildhall reflective conservatoire conference, guildhall, london, 10am sunday march 1 2015performance: hoadley, r. and katharine, n. (2015) how to play the piano in 88 notes, a part of piano glyphs performed by philip mead at the london international piano symposium, royal college of music, saturday february 14thlecture recital: dynamic cross-domain expression: notation, interpretation, technology and performance with philip mead at the london international piano symposium, royal college of music, saturday february 14thperformance: semaphore a part of the cambridge festival of ideas, covent garden theatre, cambridge, sunday 26 october 2014 8pmperformance: quantum canticorum performance as a part of quantum², with richard hoadley, jane turner, gareth stuart, anne pidcock, gwen jones, david ogle, grégoire a. meyer, natacha bisarre liverpool hope university, monday october 20performance: calder's violin peformance by george panagiotopoulos at international computer music conference, university of athens, 2030 17 september 2014demonstration: making people move: dynamic musical notations international computer music conference 2014, university of athens, greece, 0950 17 september 2014paper: signs and semaphores: cross-domain expressive mapping bibac 2014 international conference, university of cambridge, 24-26 october 2014performance: december variations (on a theme by earle brown) performance by beata pincetik, international computer music conference, university of athens, 1900 17 september 2014paper: december variations (on a theme by earle brown) international computer music conference, university of athens, 1430 18 september 2014workshop: interactive music notation and representation workshop dominique fober - grame, lyon, jean bresson - ircam, paris, pierre couprie - iremus, universite paris-sorbonne, paris, yann geslin - ina/grm, paris, richard hoadley - anglia ruskin university, cambridge a part of the nime 2014, goldsmiths university of london, june 30, 2014workshop: dynamic music and notation through technology workshop presentation by richard hoadley. a part of the universities' week celebration of cutting-edge research, darwin centre, natural history museum, june 9-13, 2014performance: quantum canticorum performance as a part of quantum², with richard hoadley, jane turner, gareth stuart, laura brera, gwen jones, david ogle, grégoire a. meyer, natacha bisarre museum of contemporary art, barcelona, spain, saturday june 7paper: variations on a theme by earle brown goldsmiths university of london, may 15-17 2014 a part of the histories, theories and practices of aound art conferencepaper: dynamic music notation in quantum canticorum goldsmiths university of london, 1600, wednesday 2nd april 2014 a part of the live algorithms for music symposiumperformance: quantum canticorum music: richard hoadley, dance: ann pidcock, clarinet: gareth stuart deptford town hall, goldsmiths university of london, 1845, wednesday 2nd april 2014 a part of the live algorithms for music symposium