rhoadley.net

choreograms

2016

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

five pieces in the alto clef

1982

for viola

music for twine

2018

a video by Chris Frazer Smith,

music by Richard Hoadley

In collaboration with Argentinian tango,

Twine is a contemporary choreography of intimacy for two exceptional dance artists.

through the sharp hawthorn (blows the cold wind)

1987, rev. 1994

for flute and piano

unthinking things

2018-present

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

sextet (still life)

1987, rev. 1988

for string sextet: two violins, two violas, two violoncellos

unthinking things

2018-present

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

choreograms

2016

automatic music for dancers, musicians,

computer and live score projection

music and programming by Richard Hoadley;

text by Phil Terry;

choreography by Jane Turner

semaphore

2014

automatic music for dancers, musicians, computer and live score projection

music and programming by Richard Hoadley; text by Phil Terry; choreography by Jane Turner

edge violations

2016

for clarinet(s), computers, and projections

texts by Phil Terry

homanaje a cervantes

2017

automatic music for violin, computer and live projections

shilbottle cobbles

1988-1991

wind orchestra

Listening to Lulu, in our hearth we burn,
as we hear the high Cs rise in stereo,
what was lush swamp club-moss and tree-fern
at least 300 million years ago.
Shilbottle cobbles, Alban Berg high D
lifted from a source that bears your name,
the one we hear decay, the one we see,
the fern from the foetid forest, as brief flame.

Tony Harrison, v