fluxus

2012

automatic music for piano and computer

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

december variations

 

2014

 

automatic music for computer, piano and live score projection

fluxus

 

2012

 

automatic music for piano and computer

 

also

fluxus tree

 

2012-3

 

automatic music for sculpture, dancer(s), instrument ('cello) and computer

 

photo credit to julio d'escrivan

unthinking things (stones)

 

2018

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

calder's violin

 

2011

 

automatic music for violin and computer

 

photograph Ingre's Violin by Man Ray, 1924

sextet (still life)

 

1987, rev. 1988

 

for string sextet: two violins, two violas, two violoncellos

how to play the piano: live notations in music (poster)

 

2016

 

ICMC Utrecht

full sized poster

music index

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

music and programming by Richard Hoadley

text by Bishop George Berkeley

unthinking things

 

2018-present

 

automatic music for choir, material objects,

electronics and live score projection

 

music and programming by Richard Hoadley

text by Bishop George Berkeley

The Ruskin Songbook 2018

2018

cover image taken from unthinking things 2018

through the sharp hawthorn (blows the cold wind)

 

1987, rev. 1994

 

for flute and piano

choreograms

 

2016

 

automatic music for dancers, musicians,

computer and live score projection

music and programming by Richard Hoadley;

text by Phil Terry;

choreography by Jane Turner

fluxus

 

2012

 

automatic music for piano and computer

edge violations

 

2016

 

for clarinet(s), computers, and projections

texts by Phil Terry

the copenhagen interpretation

 

1999

 

automatic music for four computers and four synthesisers