(Genre - Oeuvre - Opus - movement - section - episode - phrase)
Form as a generalised (and mappable?) medium for communication (links with literature, graphic arts, physics, etc...)
Form not as a purely musical structure but as a social and interactive medium
Form as an aesthetic study of the history of form...
What has harmony to do with form?
Form and Harmony
Discussions of aesthetic history become discussions of forms.
Discussions of form become discussions of rules and theories (at least in Western Art Music).
Discussions of rules & theories become discussions of conventions.
The basis of conventions are perceptions of harmony, i.e. consonance/dissonance and complexity and these are psychological and aesthetic issues.
Discussions of aesthetics are discussions of taste and this is what we are to investigate.
Also problems with contemporary music are arguably caused by misperceptions of taste.
Harmony
what is harmony (for)? discuss
what does it do? discuss
what is tonality?
play a note has this a tonality?
play two notes in succession (C-E)
Is this tonal? Is it in C? Why isn't it in F or G? What can I do to emphasise its tonality?
play three notes (C-E-G) Is this tonal? Is it in C? Why isn't it in F or G? What can I do to emphasise its tonality?
Play (click on a score for a MIDI rendition) Is this enough? What about:
Play What's the key now, and where does it change? Does this affect the first three/four chords? Has the overall phrase any tonality?
Another example:
Or even:
What's the tonality here? Is this tonal? How about ambiguous tonality - that is, neither tonal in the classical sense nor atonal in the serial sense.
Is tonality, then, a purely local issue?
So what does what we choose to call tonality do?
It causes feelings of progression - what sort of progression? How does it do this? Does 'non-tonal' have a sense of progression? If so, how is it achieved? Could there be different forms of progression? Suggest some, (think especially of World Musics as well as Contemporary Music).
Palestrina - progression by part movement
Bach - progression by (stepwise) movement.
Use chorale as an example
Debussy - progression by movement
Stravinsky - progression by rhythm/momentum
Pop and folk - frequently without 'classical' tonal functionality
It provides a backdrop that we can understand - so tonality is a form of comprehension - is we understand something we call it 'tonal' whether it is or not?
Harmony as texture or colour only
'functional and non-fucntional' discuss...
Dissonance
Play
Is this tonal, is this dissonant? - Is dissonance tonality? - Does it feel like it needs to resolve?
What is required to make it tonal?
What if I used Db major? - is it tonal then? - what key is it in?
Now play C-E-G-Bb-Eb. Is this still dissonant? Is it more or less dissonant? Is not dissonance, then, a purely relative matter of creating and then relieving tension? Is this not similar to the reputed effect of Sonata form's tonal conflicts?
The western obsession with pitch - cf performing - playing wrong notes, appreciating melody and harmony rather than rhythm - what's the biggest difference between a 'rave' track and a Mozart Symphony?
Serialism - world musics - popular music - rave music...
What are the important elements in the music? What do we listen to most?
If we accept that different musics have different 'values' how do we go about assigning these 'values'?